1.0Between Europe and Asia: Traditional Music and Costumes from Central Asia, Caucasus and the Middle Easthttps://lbcone.hkust.edu.hk/music-costumesust_editorhttps://lbcone.hkust.edu.hk/music-costumes/author/ust_editor/維吾爾鏘 - Between Europe and Asia: Traditional Music and Costumes from Central Asia, Caucasus and the Middle Eastrich600338<blockquote class="wp-embedded-content" data-secret="ZexivFL7va"><a href="https://lbcone.hkust.edu.hk/music-costumes/zh/uyghur-chang-chi/">維吾爾鏘</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://lbcone.hkust.edu.hk/music-costumes/zh/uyghur-chang-chi/embed/#?secret=ZexivFL7va" width="600" height="338" title="“維吾爾鏘” — Between Europe and Asia: Traditional Music and Costumes from Central Asia, Caucasus and the Middle East" data-secret="ZexivFL7va" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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維吾爾鏘 維吾爾鏘是一種梯形的揚琴類樂器，有三十八組弦，以兩個琴竹敲打，主要為維吾爾古典音樂樂團所用。 鏘的起源難以考究。我們知道類似的樂器在十五世紀初期已出現在法國和德國，十五世紀末在伊朗則首次有圖像紀錄。至於維吾爾的鏘，大約於十七、十八世紀出現，但其來源則不確定：可能是從中國沿海地區引入了揚琴的變體，也可能是從中亞引入的——烏茲別克人也有一種叫作「鏘」的揚琴樂器。維吾爾的鏘今天幾乎只用於演奏木卡姆曲目。 鏘的琴身用硬木如胡桃木造。其三十八組弦用金屬造，每組有四根弦 https://lbcone.hkust.edu.hk/music-costumes/wp-content/uploads/2021/03/360.png