1.0Between Europe and Asia: Traditional Music and Costumes from Central Asia, Caucasus and the Middle Easthttps://lbcone.hkust.edu.hk/music-costumesust_editorhttps://lbcone.hkust.edu.hk/music-costumes/author/ust_editor/維吾爾熱瓦普 - Between Europe and Asia: Traditional Music and Costumes from Central Asia, Caucasus and the Middle Eastrich600338<blockquote class="wp-embedded-content" data-secret="K8Csz8WKzQ"><a href="https://lbcone.hkust.edu.hk/music-costumes/zh/uyghur-rawap-chi/">維吾爾熱瓦普</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://lbcone.hkust.edu.hk/music-costumes/zh/uyghur-rawap-chi/embed/#?secret=K8Csz8WKzQ" width="600" height="338" title="“維吾爾熱瓦普” — Between Europe and Asia: Traditional Music and Costumes from Central Asia, Caucasus and the Middle East" data-secret="K8Csz8WKzQ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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維吾爾熱瓦普 維吾爾熱瓦普是來自新疆南部的一種七弦撥弦琴，常用於維吾爾人不同地區的民歌、史詩演唱、古典音樂以至現代創作的樂曲的演奏，被認為是最具代表性的維吾爾樂器。 歷史上，最先提及「熱瓦普」一詞的，是八世紀末阿拉伯學者海利勒（Al-Khalil ibn Ahmad）的一部作品，但其時所指的，卻是一種類似今天波斯卡曼恰的提琴。直至十四世紀，才有文獻以「熱瓦普」一詞來描述一種有圓形琴身、上面蓋著羊皮紙、琴頸底有兩個羊角形裝飾的撥弦琴。今天的維吾爾熱瓦普以及阿富汗、帕米爾等地的同名樂器仍大體保存著這種形狀。 熱瓦普是用一塊挖空的桑木作共鳴箱，並蓋以蛇皮。常有骨頭或塑膠的鑲嵌作裝飾。琴品用塑膠造，而琴弦則為鋼弦，包括一根旋律弦和六根共鳴弦。 https://lbcone.hkust.edu.hk/music-costumes/wp-content/uploads/2021/03/360.png